
pt-cc
The earliest Mzk release: nine short instrumental sketches, published in November 2006. The track titles are the working codenames the files were saved under, and they were never replaced.
Amateur experiment of composing instrumental music that sounds pinkfloyd-ish, burzum-ish, postrock-ish and jazz-ish.


The earliest Mzk release: nine short instrumental sketches, published in November 2006. The track titles are the working codenames the files were saved under, and they were never replaced.

Five pieces, published five weeks after pt-cc — longer and more patient than its predecessor. The closing track runs almost nine minutes.

Five instrumental pieces from the first week of 2007, closing with nerpb — at nine and a half minutes, the longest thing Mzk had written to that point.

The first Mzk album with real titles, in Serbian. Six pieces about things left unfinished — memories of what was done together, or planned and never completed.

Five pieces from early 2009, and the last of the original run — with the longest titles Mzk ever used.

pt-cc, regenerated twenty years on. Each take started from the original 2006 recording itself, steered with a style prompt and Suno's dials — weirdness, style influence, track influence. Several tracks came back in more than one take, and all of them are kept here.

Hm..., regenerated from the original 2006 recordings, steered with a written style prompt and Suno's dials. The prompts pull hard away from the source — the opener asks for mournful post-rock where the original is spare and electronic. Track 01 appears twice, as two different takes, both in their fade-out versions.

Brk, regenerated from four of the five original 2007 recordings, with multiple takes kept where they reveal a different route through the source. Each render began with Marko's own recording as audio input, steered with a style prompt and Suno's controls.