Nedovršene stvari
The first Mzk album with real titles, in Serbian. Six pieces about things left unfinished — memories of what was done together, or planned and never completed.
- Described by AI from the audioA layered electronic instrumental in an E-centered tonal field, combining synthesizer and keyboard parts with crisp, busy percussion. It begins quietly, builds toward a pronounced early-middle peak, then settles into a more stable groove; the contrast gives the piece a purposeful, assembled-in-stages character.
- Described by AI from the audioA guitar-led D-minor instrumental with a clear, repeating pulse around 79 BPM, also readable in double time. Plucked and bass-guitar-like figures gradually gain weight while keyboards remain secondary, creating a patient, steadily advancing piece with little wasted motion.
- Described by AI from the audioA low, groove-centered A-minor track dominated by bass-guitar and plucked-string timbres, supported by restrained synthesizer and keyboard layers. The pulse sits near 60 BPM or 120 in double time, and the dense, consistent level gives the piece a heavy, hypnotic persistence.
- Described by AI from the audioA dark, tightly looped instrumental built from bass guitar, plucked guitar-like tones and a compact drum pattern. Its low spectral balance and extremely even dynamics make the groove feel locked in place, while the ambiguous E-flat-minor coloring adds a dry, slightly claustrophobic mood.
- Described by AI from the audioA rhythm-forward guitar and bass instrumental with prominent drums, cymbals and a firm mid-tempo pulse. The harmony remains deliberately ambiguous, allowing the repeating ensemble pattern and steadily increasing weight toward the latter half to provide the track's sense of direction.
- Described by AI from the audioA warm, energetic E-major instrumental led by acoustic-guitar strumming, bass and bright hand-percussion or tambourine-like accents. The brisk pulse and open harmonic character make it one of the album's most immediate, buoyant pieces, with a full arrangement established almost from the start.
Printed on the back of the sleeve, beneath the tracklist — in Serbian, and in Marko's own English translation:
Koliko god se činila bolnim, sećanja na stvari koje su nas povezale i učinile bliskim, na lepe stvari koje smo radili zajedno, ili smo planirali da uradimo a nikad ih nismo dovršili, na stvari koje su nam ispunile vreme, obogatile nas i učinile nas lepšim, ne smeju se gasiti, ne smeju se ubijati. Nikada.
As much as they seemed painful, memories of things that bonded us and made us close, the beautiful things that we have done together, or planned to do and never did complete, the things that filled our time, enriched us and made us more beautiful, must not be extinguished, must not be killed. Never.